A small collection of short stories and journalistic commentaries depicting my simple life and how
I fit in with the modern day universe of our times. And from time to time, a much welcomed relief from facebook.

 

Chapter Thirty-Two:  The Final Page

 

Sitting peacefully in his busy bookstore, Localad begins writing his next novel, knowing his first story had fully survived the machine.






Autumn turned to winter, and winter, in the particular slow rhythm of Meridian Cove, turned eventually back to spring, and Harbour & Page Booksellers stayed open through all of it, its shelves a little fuller than they'd been two years earlier, its cracked bell finally, at Marjory's quiet insistence, replaced with a new one that rang clean and bright every time the door opened, though Localad found, in the weeks after the replacement, that he missed the old broken sound more than he expected to, and kept the cracked bell anyway, hung now on a nail behind the register, a small, private reminder of everything the shop had survived to get here.


“You asked me to fix the old bell for years,” Marjory said.


“I was preserving its voice.”


“You were procrastinating.”


“Those are neighbouring arts.”


Purradise had ceased being a phenomenon and become something better too. It became a book in its own right. People discovered it after the noise had moved elsewhere. Booksellers recommended it. Readers lent it, failed to get it back and bought another copy. Its pages softened. Its covers bent. Sentences were underlined by strangers Localad would never meet.


Purradise had settled, by then, into a steady, unspectacular, entirely sustainable life as a genuine literary success. Not a phenomenon anymore, not a viral sensation, simply a well-loved book that continued to sell, quietly, print run after print run, to readers who found it through word of mouth or through a bookseller's recommendation or, occasionally, through the lingering long tail of a film adaptation that had, itself, faded almost entirely from public conversation, remembered now mostly as a footnote in articles about the book that had outlasted it. The film had faded now into streaming menus under the category BECAUSE YOU PREVIOUSLY WATCHED SOMETHING WITH SWORDS.


Harbour & Page prospered modestly.


Modest prosperity suited the shop. Real wealth would have made it nervous.


The roof no longer leaked. The heating worked in three of the four corners. The History shelf had been reinforced in a manner that respected both engineering and ideology.


Localad had started something new. He hadn't told anyone yet, not even Marjory, exactly what it was about, a habit he'd learned, this time, from experience, understanding now that a story needed its own quiet, private space to grow before it was ready for anyone else's opinions, even well-meaning ones.


At seven each morning, before the town had fully assembled itself, Localad made coffee in his grandmother’s chipped press pot and opened a fresh notebook.


Marjory, respected his boundaries while objecting to them recreationally.


He wrote it the same way he'd written Purradise, twenty years earlier and then again, more urgently, in the two years before Desmond Ferris's car broke down outside his window: in the quiet hour before the shop opened, coffee brewing in his grandmother's chipped press pot, note book open on the counter, no one watching, no notes to satisfy, no deadline dictated by anyone's marketing calendar.


He glanced up, one morning in early spring, from the page he was working on, and looked around the shop — the shelves he'd restocked himself, the New Releases table where his own book still held a place of honour beside newer arrivals, the reading chair by the window where a stranger had once sat down and read three chapters without looking up, the small hand-painted sign in the window that still read, beneath the shop's restored name, HOME OF PURRADISE. And he felt something settle over him that he recognized, after a moment, as simple, uncomplicated contentment, a feeling he had spent most of the last two years too busy or too frightened or too far from home to properly notice.


Marjory came in a few minutes later, letting the new bell ring its clean, bright note, carrying two coffees from the diner because the shop's own coffee, she liked to say, was an acquired taste she'd acquired decades ago and had no plans to inflict on herself before nine in the morning.


"How's the new one coming?" she asked, setting one coffee down beside his note book, careful not to look directly at the page, because she had learned, over the years, exactly how much space he needed before a story was ready to be read by anyone else.


"Slowly," he said. "Which I think means it's coming along exactly right."


“Good slowly or avoiding-the-ending-for-two-decades slowly?”


“Good slowly.”


She sat in the reading chair by the window.


The same chair Desmond had once occupied. The same window through which Localad had watched the car die and his old life begin making other arrangements.


"So what’s this new epic drama called?” she asked without looking at his page.


Localad considered refusing an answer.


Instead, he turned the notebook slightly toward himself, protecting the sentence while allowing the title to remain visible.


‘The Book of CAT’


Marjory read it.


“Singular cat?”


“For now, but there will be more. A whole clutter or clowder of them.”


“Will there be a film?”


“Absolutely not.”


“You said that very quickly.”


“I’m growing. And I’m deliberately writing out all possibility of any cinematic release.”


What's it about then?"


He considered the question, turning his pen over in his hand, looking out the shop's front window at the Harbour beyond it, boats knocking gently against the pilings, the tide coming in the way it always did, indifferent and constant and, somehow, exactly the amount of company he needed on a morning like this one.


"I'm still finding out, but there will be a lot of water in it" he said, which was true, and which was, he had come to understand, the only honest answer a person could give about a story still being written, still being protected, still being allowed to become entirely and only itself before the rest of the world got a chance to have an opinion about it.


He picked up his pen, and Marjory settled back into the reading chair by the window with her coffee and a paperback of her own.


The new bell rang as Mr. Okafor entered for his morning newspaper.


Mrs. Alvarez followed with a tray of butter croissants and a freshly cut rumour about the mayor, both of uncertain structural integrity.


The shop slowly filled.


Localad closed his new notebook, served his customers and repaired a child’s wooden boat with just a strip of sellotape and a sheet of card.


At nine-thirty, when the brief rush of trade had passed, he reopened the notebook.


In the new story, a fresh lead, Jasper-Cat, stood at the edge of a world that had been told too many times what shape it ought to take.


The cat considered this world.


This newly created world, having met cats before, became nervous.


Localad smiled and wrote his next sentence.


He did not know whether it was going to be any good yet.


But this no longer frightened him.


Outside, the tide came in without asking permission. Inside, Harbour & Page held its books, its people and its repaired punctuation. Marjory read by the window. The old bell hung behind the counter, cracked but more or less complete.


Purradise had survived the machine. More importantly, so had Localad. And so would what was coming.


And now, with no studios waiting, no market notes arriving and no one telling him how loudly the ending ought to explode, he began working on the next true thing.


The town of Meridian Cove went on with its quiet morning, unaware and completely unbothered, the way it always had been, of just how far one of its own had travelled, and how good it felt, finally, to be back home, writing the next true thing, one honest page at a time.


The Book of CAT. Could it really be the next big thing?


THE END


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